E2024-G118 - 편집 역사

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2025-10-11T05:31:28Z

‎Story Map

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2025-10-11T04:56:00Z

‎Story Map

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2025-10-10T11:49:38Z

‎Narrative

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2025-08-08T02:54:16Z

‎Narrative

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2025-08-07T09:22:29Z

‎Narrative

Lyndsey: 새 문서: NOTOC =Gwangju’s Farmers’ Music: Community Solidarity for Agricultural Abundance= == Narrative == ==Network Graph== {{StoryGraph2 | title= E2024-G118 }} ==Story Map== ...

2025-08-07T08:27:01Z

새 문서: __NOTOC__ =Gwangju’s Farmers’ Music: Community Solidarity for Agricultural Abundance= == Narrative == ==Network Graph== {{StoryGraph2 | title= E2024-G118 }} ==Story Map== ...

새 문서

__NOTOC__
=Gwangju’s Farmers’ Music: Community Solidarity for Agricultural Abundance=

== Narrative ==

==Network Graph==
{{StoryGraph2 | title= E2024-G118 }}

==Story Map==

[[분류:Story]] [[분류:이야기 조각]] [[분류:린지]]

@@ 16번째 줄: / 16번째 줄: @@
 ** [[E2024-G108|Sajikdan Altar: Praying to the Spirits of the Land and Grain]]
 ** [[E2024-G117|Village Guardians: Local Trees and Shrines]]
-** [[E2024-G118|Gwangju's Farmers' Music: Community Solidarity for Agricultural Abundance]]
+** [[E2024-G118|Gwangju’s Farmers’ Music: Community Solidarity for Agricultural Abundance]]
 ** [[E2024-G119|Guardian Posts: Guiding the Way, Protecting the Village]]
 ** [[E2024-G120|The Loop Fight of Gwangju: Competition to Bring the Community Together]]
 [[분류:Story]] [[분류:이야기 조각]] [[분류:린지]]

← 이전 판		2025년 10월 11일 (토) 04:56 판
13번째 줄:		13번째 줄:

	==Story Map==		==Story Map==
		+	*[[S2024-G016\| Folk Spirit: Village Guardians and Community Traditions]]
		+	** [[E2024-G108\|Sajikdan Altar: Praying to the Spirits of the Land and Grain]]
		+	** [[E2024-G117\|Village Guardians: Local Trees and Shrines]]
		+	** [[E2024-G118\|Gwangju's Farmers' Music: Community Solidarity for Agricultural Abundance]]
		+	** [[E2024-G119\|Guardian Posts: Guiding the Way, Protecting the Village]]
		+	** [[E2024-G120\|The Loop Fight of Gwangju: Competition to Bring the Community Together]]

	[[분류:Story]] [[분류:이야기 조각]] [[분류:린지]]		[[분류:Story]] [[분류:이야기 조각]] [[분류:린지]]

@@ 3번째 줄: / 3번째 줄: @@
 == Narrative ==
-Farmers’ performances, called ''nongak'' in Korean, are a popular performing art derived from communal rituals and rustic entertainment that combine a percussion ensemble and sometimes wind instruments, parading, dancing in various formations, skits, and acrobatic feats. These performances are closely tied to traditional folk religion and were held on special occasions to appease local guardian deities, ward off evil spirits, and to wish for and celebrate a prosperous harvest.
+Farmers’ performances, called <i>nongak</i> in Korean, are a popular performing art derived from communal rituals and rustic entertainment that combine a percussion ensemble and sometimes wind instruments, parading, dancing in various formations, skits, and acrobatic feats. These performances are closely tied to traditional folk religion and were held on special occasions to appease local guardian deities, ward off evil spirits, and to wish for and celebrate a prosperous harvest.
-The [[광산농악|farmers’ performance of Gwangsan]] consists of various performances that have been passed down for generations in Gwangju, including in Sochon-dong, Sanwol-dong, Mareuk-dong, and Chilseok-dong. It is representative of the western Jeolla-do style of farmers’ performances. Depending on the scale of the event, the number of participants can range from 20-30 people up to 50-70 people. The performers are divided into two groups: musicians and actors. The musicians play percussion and wind instruments used in Korean folk music such as the small gong (''kkwaenggwari''), the large gong (''jing''), the double-headed drum (''janggu''), the barrel drum (''buk''), the hand drum (''sogo''), the bugle (''napal''), and the double-reeded horn (''taepyeongso''). The musicians followed around by the actors who depict folk characters such as an artilleryman, a nobleman, an old woman, a monk, a bride, a low-ranking official, and children. The rhythms are diverse and change frequently with clear and natural transitions. Solo instrumental performances, such as the solo double-headed drum (''seoljanggu''), and well-developed dancing techniques add variety and merriment to the performance. The lead small gong player [[정득채|Jeong Deuk-chae]], solo double-headed drum performer [[김종회|Kim Jong-hoe]], and solo barrel drum performer [[서창순|Seo Chang-sun]] are [[광산농악_예능보유자|officially designated as masters]] of their valuable artistic skills. The tradition is maintained by the [[광산농악보존회|Farmers' Performance of Gwangsan Preservation Society]].
+The [[광산농악|farmers’ performance of Gwangsan]] consists of various performances that have been passed down for generations in Gwangju, including in Sochon-dong, Sanwol-dong, Mareuk-dong, and Chilseok-dong. It is representative of the western Jeolla-do style of farmers’ performances. Depending on the scale of the event, the number of participants can range from 20-30 people up to 50-70 people. The performers are divided into two groups: musicians and actors. The musicians play percussion and wind instruments used in Korean folk music such as the small gong (<i>kkwaenggwari</i>), the large gong (<i>jing</i>), the double-headed drum (<i>janggu</i>), the barrel drum (<i>buk</i>), the hand drum (<i>sogo</i>), the bugle (<i>napal</i>), and the double-reeded horn (<i>taepyeongso</i>). The musicians followed around by the actors who depict folk characters such as an artilleryman, a nobleman, an old woman, a monk, a bride, a low-ranking official, and children. The rhythms are diverse and change frequently with clear and natural transitions. Solo instrumental performances, such as the solo double-headed drum (<i>seoljanggu</i>), and well-developed dancing techniques add variety and merriment to the performance. The lead small gong player [[정득채|Jeong Deuk-chae (1939-2021)]], solo double-headed drum performer [[김종회|Kim Jong-hoe (1918-2000)]], and solo barrel drum performer [[서창순|Seo Chang-sun (1916-1999)]] were officially designated as [[광산농악_예능보유자|holders of the skill of the Farmers’ Performance of Gwangsan]]. The tradition is maintained by the [[광산농악보존회|Farmers’ Performance of Gwangsan Preservation Society]].
-Specific sub-sects of the farmers' performance of Gwangsan include the [[풍장농악|farmers' performance of Pungjang]], the [[당산농악|farmers' performance of Dangsan]] in [[광주_소촌동|Sochon-dong]], and the [[고싸움놀이농악|farmers' performance tradition]] that is part of the [[광주_칠석_고싸움놀이|Loop Fight of Gwangju]]. Another kind of traditional farming music are farmers’ songs (''deulnorae''), which are call-and-response style songs sung to withstand the exhaustion of the laborious farming work and to wish for an abundant harvest. The [[용전들노래|Farmers' Songs of Yongjeon]] refers to songs performed by the farmers of [[용전마을|Yongjeon Village]]. They are sung during the steps of rice cultivation which require the coordination of many people, such as picking rice seedlings, transplanting rice seedlings, and weeding. The tradition is being preserved by the [[(사)용전들노래보존회|Farmers' Songs of Yongjeon Preservation Society]].
+Specific sub-sects of the farmers’ performance of Gwangsan include the [[풍장농악|farmers’ performance of Pungjang]], the [[당산농악|farmers’ performance of Dangsan]] in [[광주_소촌동|Sochon-dong]], and the [[고싸움놀이농악|farmers’ performance tradition]] that is part of the [[광주_칠석_고싸움놀이|Loop Fight of Gwangju]]. Another kind of traditional farming music are farmers’ songs (<i>deulnorae</i>), which are call-and-response style songs sung to withstand the exhaustion of the laborious farming work and to wish for an abundant harvest. The [[용전들노래|Farmers’ Songs of Yongjeon]] refers to songs performed by the farmers of [[용전마을|Yongjeon Village]]. They are sung during the steps of rice cultivation which require the coordination of many people, such as picking rice seedlings, transplanting rice seedlings, and weeding. The tradition is being preserved by the [[(사)용전들노래보존회|Farmers’ Songs of Yongjeon Preservation Society]].
 ==Network Graph==

@@ 5번째 줄: / 5번째 줄: @@
 Farmers’ performances, called ''nongak'' in Korean, are a popular performing art derived from communal rituals and rustic entertainment that combine a percussion ensemble and sometimes wind instruments, parading, dancing in various formations, skits, and acrobatic feats. These performances are closely tied to traditional folk religion and were held on special occasions to appease local guardian deities, ward off evil spirits, and to wish for and celebrate a prosperous harvest.
-The farmers’ performance of Gwangsan consists of various performances that have been passed down for generations in Gwangju, including in Sochon-dong, Sanwol-dong, Mareuk-dong, and Chilseok-dong. It is representative of the western Jeolla-do style of farmers’ performances. Depending on the scale of the event, the number of participants can range from 20-30 people up to 50-70 people. The performers are divided into two groups: musicians and actors. The musicians play percussion and wind instruments used in Korean folk music such as the small gong (''kkwaenggwari''), the large gong (''jing''), the double-headed drum (''janggu''), the barrel drum (''buk''), the hand drum (''sogo''), the bugle (''napal''), and the double-reeded horn (''taepyeongso''). The musicians followed around by the actors who depict folk characters such as an artilleryman, a nobleman, an old woman, a monk, a bride, a low-ranking official, and children. The rhythms are diverse and change frequently with clear and natural transitions. Solo instrumental performances, such as the solo double-headed drum (''seoljanggu''), and well-developed dancing techniques add variety and merriment to the performance. The lead small gong player Jeong Deuk-chae, solo double-headed drum performer Kim Jong-hoe, and solo barrel drum performer Seo Chang-sun are officially designated as masters of their valuable artistic skills.
+The [[광산농악|farmers’ performance of Gwangsan]] consists of various performances that have been passed down for generations in Gwangju, including in Sochon-dong, Sanwol-dong, Mareuk-dong, and Chilseok-dong. It is representative of the western Jeolla-do style of farmers’ performances. Depending on the scale of the event, the number of participants can range from 20-30 people up to 50-70 people. The performers are divided into two groups: musicians and actors. The musicians play percussion and wind instruments used in Korean folk music such as the small gong (''kkwaenggwari''), the large gong (''jing''), the double-headed drum (''janggu''), the barrel drum (''buk''), the hand drum (''sogo''), the bugle (''napal''), and the double-reeded horn (''taepyeongso''). The musicians followed around by the actors who depict folk characters such as an artilleryman, a nobleman, an old woman, a monk, a bride, a low-ranking official, and children. The rhythms are diverse and change frequently with clear and natural transitions. Solo instrumental performances, such as the solo double-headed drum (''seoljanggu''), and well-developed dancing techniques add variety and merriment to the performance. The lead small gong player [[정득채|Jeong Deuk-chae]], solo double-headed drum performer [[김종회|Kim Jong-hoe]], and solo barrel drum performer [[서창순|Seo Chang-sun]] are [[광산농악_예능보유자|officially designated as masters]] of their valuable artistic skills. The tradition is maintained by the [[광산농악보존회|Farmers' Performance of Gwangsan Preservation Society]].
-There is also a famers' performance tradition as part of the Loop Fight of Gwangju. Another kind of traditional farming music are farmers’ songs (''deulnorae''), which are call-and-response style songs sung to withstand the exhaustion of the laborious farming work and to wish for an abundant harvest. The Farmers' Songs of Yongjeon are refers to the songs performed by the farmers of Yongjeon Village. They are sung during the steps of rice cultivation which require the coordination of many people, such as picking rice seedlings, transplanting rice seedlings, and weeding. The tradition is being preserved by the Farmers' Songs of Yongjeon Preservation Society.
+Specific sub-sects of the farmers' performance of Gwangsan include the [[풍장농악|farmers' performance of Pungjang]], the [[당산농악|farmers' performance of Dangsan]] in [[광주_소촌동|Sochon-dong]], and the [[고싸움놀이농악|farmers' performance tradition]] that is part of the [[광주_칠석_고싸움놀이|Loop Fight of Gwangju]]. Another kind of traditional farming music are farmers’ songs (''deulnorae''), which are call-and-response style songs sung to withstand the exhaustion of the laborious farming work and to wish for an abundant harvest. The [[용전들노래|Farmers' Songs of Yongjeon]] refers to songs performed by the farmers of [[용전마을|Yongjeon Village]]. They are sung during the steps of rice cultivation which require the coordination of many people, such as picking rice seedlings, transplanting rice seedlings, and weeding. The tradition is being preserved by the [[(사)용전들노래보존회|Farmers' Songs of Yongjeon Preservation Society]].
 ==Network Graph==

← 이전 판		2025년 8월 7일 (목) 09:22 판
3번째 줄:		3번째 줄:

	== Narrative ==		== Narrative ==
		+	Farmers’ performances, called ''nongak'' in Korean, are a popular performing art derived from communal rituals and rustic entertainment that combine a percussion ensemble and sometimes wind instruments, parading, dancing in various formations, skits, and acrobatic feats. These performances are closely tied to traditional folk religion and were held on special occasions to appease local guardian deities, ward off evil spirits, and to wish for and celebrate a prosperous harvest.
		+
		+	The farmers’ performance of Gwangsan consists of various performances that have been passed down for generations in Gwangju, including in Sochon-dong, Sanwol-dong, Mareuk-dong, and Chilseok-dong. It is representative of the western Jeolla-do style of farmers’ performances. Depending on the scale of the event, the number of participants can range from 20-30 people up to 50-70 people. The performers are divided into two groups: musicians and actors. The musicians play percussion and wind instruments used in Korean folk music such as the small gong (''kkwaenggwari''), the large gong (''jing''), the double-headed drum (''janggu''), the barrel drum (''buk''), the hand drum (''sogo''), the bugle (''napal''), and the double-reeded horn (''taepyeongso''). The musicians followed around by the actors who depict folk characters such as an artilleryman, a nobleman, an old woman, a monk, a bride, a low-ranking official, and children. The rhythms are diverse and change frequently with clear and natural transitions. Solo instrumental performances, such as the solo double-headed drum (''seoljanggu''), and well-developed dancing techniques add variety and merriment to the performance. The lead small gong player Jeong Deuk-chae, solo double-headed drum performer Kim Jong-hoe, and solo barrel drum performer Seo Chang-sun are officially designated as masters of their valuable artistic skills.
		+
		+	There is also a famers' performance tradition as part of the Loop Fight of Gwangju. Another kind of traditional farming music are farmers’ songs (''deulnorae''), which are call-and-response style songs sung to withstand the exhaustion of the laborious farming work and to wish for an abundant harvest. The Farmers' Songs of Yongjeon are refers to the songs performed by the farmers of Yongjeon Village. They are sung during the steps of rice cultivation which require the coordination of many people, such as picking rice seedlings, transplanting rice seedlings, and weeding. The tradition is being preserved by the Farmers' Songs of Yongjeon Preservation Society.

	==Network Graph==		==Network Graph==

E2024-G118 - 편집 역사

Lyndsey: /* Story Map */

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Lyndsey: /* Narrative */

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Lyndsey: 새 문서: __NOTOC__ =Gwangju’s Farmers’ Music: Community Solidarity for Agricultural Abundance= == Narrative == ==Network Graph== {{StoryGraph2 | title= E2024-G118 }} ==Story Map== ...

Lyndsey: 새 문서: NOTOC =Gwangju’s Farmers’ Music: Community Solidarity for Agricultural Abundance= == Narrative == ==Network Graph== {{StoryGraph2 | title= E2024-G118 }} ==Story Map== ...