E2024-G099 - 편집 역사

Lyndsey: /* Story Map */

2025-10-11T04:48:43Z

‎Story Map

Lyndsey: /* Narrative */

2025-10-10T11:17:36Z

‎Narrative

Lyndsey: /* Narrative */

2025-10-10T11:17:28Z

‎Narrative

Lyndsey: /* Narrative */

2025-07-13T09:34:39Z

‎Narrative

2025년 7월 13일 (일) 09:34에 Lyndsey님의 편집

2025-07-13T09:34:22Z

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2025-07-12T09:11:19Z

‎Narrative

Lyndsey: 새 문서: NOTOC =Minjung Art Forms: Hanging Paintings= == Narrative == ==Network Graph== {{StoryGraph2 | title= E2024-G099 }} ==Story Map== 분류:Story 분류:이야기 조각...

2025-07-12T06:47:29Z

새 문서: __NOTOC__ =Minjung Art Forms: Hanging Paintings= == Narrative == ==Network Graph== {{StoryGraph2 | title= E2024-G099 }} ==Story Map== 분류:Story 분류:이야기 조각...

새 문서

__NOTOC__
=Minjung Art Forms: Hanging Paintings=

== Narrative ==

==Network Graph==
{{StoryGraph2 | title= E2024-G099 }}

==Story Map==

[[분류:Story]] [[분류:이야기 조각]] [[분류:린지]]

← 이전 판		2025년 10월 11일 (토) 04:48 판
17번째 줄:		17번째 줄:

	==Story Map==		==Story Map==
		+	*[[S2024-G013\| Minjung Art: Visual Revolution and Social Awakening]]
		+	** [[E2024-G097\|The Democratization Movement as Seen through Art: Minjung Art]]
		+	** [[E2024-G098\|Minjung Art Forms: Woodcuts]]
		+	** [[E2024-G099\|Minjung Art Forms: Hanging Paintings]]
		+	** [[E2024-G100\|Minjung Art Forms: Murals]]
		+	** [[E2024-G102\|Joining Together for Art: The Jeonnam-Gwangju Art Collective Alliance]]
		+	** [[E2024-G104\|Artist Hong Seong-dam and His Woodcuts of the May 18th Democratic Uprising]]

	[[분류:Story]] [[분류:이야기 조각]] [[분류:린지]]		[[분류:Story]] [[분류:이야기 조각]] [[분류:린지]]

@@ 3번째 줄: / 3번째 줄: @@
 == Narrative ==
-One of the key forms of [[민중미술|Minjung art]], or “people’s art,” is the [[걸개그림|banner painting (<i>geolgae geurim</i>)]]. A number of banner paintings were made to convey and commemorate the events of the [[5.18민주화운동|May 18 Democratic Uprising]]. These banner paintings, influenced by traditional Korean [[괘불화|Buddhist hanging painting]] serve as visual narratives that keep the spirit of the uprising alive. Integral to this movement are the creative forces of [[미술패_토말|Tomal Art Collective]] and [[미술패_마당|Madang Art Collective]], art collectives formed in the early 1980s at [[조선대학교|Chosun University]] and [[전남대학교|Chonnam National University]], respectively. These groups birthed significant works such as [[민중의_싸움-이_풍진세상을_만났으니|“Fight of the People-Having Met This Troubled World”]], crafted by the artists of Tomal, and [[오월에서_통일로|“From May to Unification”]], created by Madang. Each piece is a testament to the collective’s commitment to preserving the ethos of Minjung Art, an art born out of the peoples’ struggle and yearning for change. Through these works, the legacy of the May 18 Democratic Uprising endures, a visual beacon of hope and a testament to the enduring power of art in the fight for justice.
+One of the key forms of [[민중미술|Minjung art]], or “people’s art,” is the [[걸개그림|banner painting (<i>geolgae geurim</i>)]]. A number of banner paintings were made to convey and commemorate the events of the [[5.18민주화운동|May 18 Democratic Uprising]]. These banner paintings, influenced by traditional Korean [[괘불화|Buddhist hanging painting]] serve as visual narratives that keep the spirit of the uprising alive. Integral to this movement are the creative forces of [[미술패_토말|Tomal Art Collective]] and [[미술패_마당|Madang Art Collective]], art collectives formed in the early 1980s at [[조선대학교|Chosun University]] and [[전남대학교|Chonnam National University]], respectively. These groups birthed significant works such as [[민중의_싸움-이_풍진세상을_만났으니|“Fight of the People-Having Met This Troubled World”]], crafted by the artists of Tomal, and [[오월에서_통일로|“From May to Unification”]], created by Madang. Each piece is a testament to the collective’s commitment to preserving the ethos of Minjung art, an art born out of the peoples’ struggle and yearning for change. Through these works, the legacy of the May 18 Democratic Uprising endures, a visual beacon of hope and a testament to the enduring power of art in the fight for justice.
 ==Network Graph==

@@ 3번째 줄: / 3번째 줄: @@
 == Narrative ==
-One of the key forms of [[민중미술|Minjung art]], or "people's art," is the banner painting, or "''geolgae geurim''. A number of banner paintings were made to convey and commemorate the events of the [[5.18민주화운동|May 18 Democratic Uprising]]. These banner paintings, influenced by traditional Korean Buddhist hanging paintings (''gwaebulhwa'') serve as visual narratives that keep the spirit of the uprising alive. Integral to this movement are the creative forces of [[미술패_토말|Tomal]] and [[미술패_마당|Madang]], art collectives formed in the early 1980s at [[조선대학교|Chosun]] and [[전남대학교|Chonnam National Universities]], respectively. These groups birthed significant works such as "Fight of the People-Having Met This Troubled World" (민중의 싸움-이 풍진세상을 만났으니), crafted by the artists of Tomal, and "From May to Unification" (오월에서 통일로), created by Madang. Each piece is a testament to the collective's commitment to preserving the ethos of Minjung Art, an art born out of the peoples' struggle and yearning for change. Through these works, the legacy of the May 18 Democratic Uprising endures, a visual beacon of hope and a testament to the enduring power of art in the fight for justice.
+One of the key forms of [[민중미술|Minjung art]], or “people’s art,” is the [[걸개그림|banner painting (<i>geolgae geurim</i>)]]. A number of banner paintings were made to convey and commemorate the events of the [[5.18민주화운동|May 18 Democratic Uprising]]. These banner paintings, influenced by traditional Korean [[괘불화|Buddhist hanging painting]] serve as visual narratives that keep the spirit of the uprising alive. Integral to this movement are the creative forces of [[미술패_토말|Tomal Art Collective]] and [[미술패_마당|Madang Art Collective]], art collectives formed in the early 1980s at [[조선대학교|Chosun University]] and [[전남대학교|Chonnam National University]], respectively. These groups birthed significant works such as [[민중의_싸움-이_풍진세상을_만났으니|“Fight of the People-Having Met This Troubled World”]], crafted by the artists of Tomal, and [[오월에서_통일로|“From May to Unification”]], created by Madang. Each piece is a testament to the collective’s commitment to preserving the ethos of Minjung Art, an art born out of the peoples’ struggle and yearning for change. Through these works, the legacy of the May 18 Democratic Uprising endures, a visual beacon of hope and a testament to the enduring power of art in the fight for justice.
 ==Network Graph==

@@ 3번째 줄: / 3번째 줄: @@
 == Narrative ==
-One of the key forms of [[민중미술|Minjung art]], or "people's art," is the banner painting, or "''geolgae geurim''. A number of banner paintings were made to convey and commemorate the events of the [[5.18민주화운동|May 18 Democratic Uprising]]. These banner paintings, influenced by traditional Korean Buddhist hanging paintings (''gwebulhwa'') serve as visual narratives that keep the spirit of the uprising alive. Integral to this movement are the creative forces of [[미술패_토말|Tomal]] and [[미술패_마당|Madang]], art collectives formed in the early 1980s at [[조선대학교|Chosun]] and [[전남대학교|Chonnam National Universities]], respectively. These groups birthed significant works such as "Fight of the People-Having Met This Troubled World" (민중의 싸움-이 풍진세상을 만났으니), crafted by the artists of Tomal, and "From May to Unification" (오월에서 통일로), created by Madang. Each piece is a testament to the collective's commitment to preserving the ethos of Minjung Art, an art born out of the peoples' struggle and yearning for change. Through these works, the legacy of the May 18 Democratic Uprising endures, a visual beacon of hope and a testament to the enduring power of art in the fight for justice.
+One of the key forms of [[민중미술|Minjung art]], or "people's art," is the banner painting, or "''geolgae geurim''. A number of banner paintings were made to convey and commemorate the events of the [[5.18민주화운동|May 18 Democratic Uprising]]. These banner paintings, influenced by traditional Korean Buddhist hanging paintings (''gwaebulhwa'') serve as visual narratives that keep the spirit of the uprising alive. Integral to this movement are the creative forces of [[미술패_토말|Tomal]] and [[미술패_마당|Madang]], art collectives formed in the early 1980s at [[조선대학교|Chosun]] and [[전남대학교|Chonnam National Universities]], respectively. These groups birthed significant works such as "Fight of the People-Having Met This Troubled World" (민중의 싸움-이 풍진세상을 만났으니), crafted by the artists of Tomal, and "From May to Unification" (오월에서 통일로), created by Madang. Each piece is a testament to the collective's commitment to preserving the ethos of Minjung Art, an art born out of the peoples' struggle and yearning for change. Through these works, the legacy of the May 18 Democratic Uprising endures, a visual beacon of hope and a testament to the enduring power of art in the fight for justice.
 ==Network Graph==

← 이전 판		2025년 7월 12일 (토) 09:11 판
3번째 줄:		3번째 줄:

	== Narrative ==		== Narrative ==
		+	Among the various Minjung Art forms, the hanging paintings known as ''Geolgae Geurim'' emerge as a poignant expression of resilience and cultural memory. At the heart of this artistic movement lies the historic May 18 Democratic Uprising, an event that unfolded in May 1980, when citizens of Gwangju rose against oppressive military forces led by the new military regime, symbolizing a fierce struggle for democracy. These hanging paintings, influenced by the traditional Buddhist banner paintings (''gwebulhwa''), transcend mere aesthetic appeal; becoming canvases of cultural resistance that commemorate the courage and sacrifice of those who participated in the May 18 Democratic Uprising. Displayed at memorial events, they serve as visual narratives that keep the spirit of the uprising alive. Integral to this movement are the creative forces of Tomal and Madang, art collectives formed in the early 1980s at Chosun and Jeonnam Universities, respectively. These groups birthed significant works such as "Fight of the People-Having Met This Troubled World" (민중의 싸움-이 풍진세상을 만났으니), crafted by the artists of Tomal, and "From May to Unification" (오월에서 통일로), created by Madang. Each piece is a testament to the collective's commitment to preserving the ethos of Minjung Art, an art born out of the peoples' struggle and yearning for change. Through these works, the legacy of the May 18 Democratic Uprising endures, a visual beacon of hope and a testament to the enduring power of art in the fight for justice.

	==Network Graph==		==Network Graph==

@@ 1번째 줄: / 1번째 줄: @@
 __NOTOC__
-=Minjung Art Forms: Hanging Paintings=
+=Minjung Art Forms: Banner Paintings=
 == Narrative ==
-Among the various Minjung Art forms, the hanging paintings known as ''Geolgae Geurim'' emerge as a poignant expression of resilience and cultural memory. At the heart of this artistic movement lies the historic May 18 Democratic Uprising, an event that unfolded in May 1980, when citizens of Gwangju rose against oppressive military forces led by the new military regime, symbolizing a fierce struggle for democracy. These hanging paintings, influenced by the traditional Buddhist banner paintings (''gwebulhwa''), transcend mere aesthetic appeal; becoming canvases of cultural resistance that commemorate the courage and sacrifice of those who participated in the May 18 Democratic Uprising. Displayed at memorial events, they serve as visual narratives that keep the spirit of the uprising alive. Integral to this movement are the creative forces of Tomal and Madang, art collectives formed in the early 1980s at Chosun and Jeonnam Universities, respectively. These groups birthed significant works such as "Fight of the People-Having Met This Troubled World" (민중의 싸움-이 풍진세상을 만났으니), crafted by the artists of Tomal, and "From May to Unification" (오월에서 통일로), created by Madang. Each piece is a testament to the collective's commitment to preserving the ethos of Minjung Art, an art born out of the peoples' struggle and yearning for change. Through these works, the legacy of the May 18 Democratic Uprising endures, a visual beacon of hope and a testament to the enduring power of art in the fight for justice.
+One of the key forms of [[민중미술|Minjung art]], or "people's art," is the banner painting, or "''geolgae geurim''. A number of banner paintings were made to convey and commemorate the events of the [[5.18민주화운동|May 18 Democratic Uprising]]. These banner paintings, influenced by traditional Korean Buddhist hanging paintings (''gwebulhwa'') serve as visual narratives that keep the spirit of the uprising alive. Integral to this movement are the creative forces of [[미술패_토말|Tomal]] and [[미술패_마당|Madang]], art collectives formed in the early 1980s at [[조선대학교|Chosun]] and [[전남대학교|Chonnam National Universities]], respectively. These groups birthed significant works such as "Fight of the People-Having Met This Troubled World" (민중의 싸움-이 풍진세상을 만났으니), crafted by the artists of Tomal, and "From May to Unification" (오월에서 통일로), created by Madang. Each piece is a testament to the collective's commitment to preserving the ethos of Minjung Art, an art born out of the peoples' struggle and yearning for change. Through these works, the legacy of the May 18 Democratic Uprising endures, a visual beacon of hope and a testament to the enduring power of art in the fight for justice.
 ==Network Graph==
 {{StoryGraph2 | title= E2024-G099 }}
 ==Story Map==
 [[분류:Story]] [[분류:이야기 조각]] [[분류:린지]]

E2024-G099 - 편집 역사

Lyndsey: /* Story Map */

Lyndsey: /* Narrative */

Lyndsey: /* Narrative */

Lyndsey: /* Narrative */

2025년 7월 13일 (일) 09:34에 Lyndsey님의 편집

Lyndsey: /* Narrative */

Lyndsey: 새 문서: __NOTOC__ =Minjung Art Forms: Hanging Paintings= == Narrative == ==Network Graph== {{StoryGraph2 | title= E2024-G099 }} ==Story Map== 분류:Story 분류:이야기 조각...

Lyndsey: 새 문서: NOTOC =Minjung Art Forms: Hanging Paintings= == Narrative == ==Network Graph== {{StoryGraph2 | title= E2024-G099 }} ==Story Map== 분류:Story 분류:이야기 조각...